I pulled myself out of the fog of procrastination to write this one. Taking cues from the etymology of the word Monday, specifically "Murk Monday", the Scottish name for a solar eclipse that occurred on Monday 29 March 1652, and thermometer. The harmony also comes from the word Monday, which I serialised. I don't really experience traditional Mondayitis any more, as I work unconventional hours, but I had plenty of past office job experience to draw on for this one.
Read MoreAnother spoken piece inspired by bones, and office drudgery.
Read MoreThis piece follows on from the previous day's Whisper mind map, and the word ear lobe that appeared on it. I did a three minute writing exercise using that prompt, and then took the nouns, verbs and adjectives from the result and paired them. Morning stirs and shake off the lamp light were the two pairs that prompted this piece. I tried to set the text to music without much success, so instead of getting frustrated I let myself record it as a spoken word piece.
Read MoreYesterday I had to go into one of those huge city office towers to drop off some documents. It was the kind with a concierge in the lobby to direct you to the correct floor, and a stream of suits, motorcycle couriers and cycling lycra coming and going through the glass lifts. I spent a large chunk of my twenties quite unhappy in office buildings like this, and whenever I end up back inside one I feel very uncomfortable as the negative memories come flooding back in.
Read MoreThis piece is improvised, following on from yesterday's themes of transport and rain. Yesterday it was a car, today a train. I wrote the text first, then freely improvised with it and recorded only one take. While I like spending time crafting and perfecting a piece of music, I also love improvising freely, and there is something particularly interesting about the very first performance of an idea. My composition process involves recording improvisations like this and then listening back to them for ideas to expand upon, but those improvisations rarely make it past a voice memo on my phone. This project gives them a reason to exist as compositions in their own right, and I am excited to develop this part of my practice as the year progresses.
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