Until the Covid-19 crisis really took hold I had been taking an extended break from online life. I’d come to the conclusion that my relationship with social media was almost identical to my relationship with alcohol, and like alcohol I found moderation almost impossible. It was far simpler to abstain completely. I have tried setting many different rules around my use of social media, but like trying to drink only three days a week, or stopping after one glass of wine, the willpower involved in enforcing these rules is exhausting, and the times when the object of your addiction gets the better of you become a source of shame and anxiety.
Read MoreAlcohol had become, for me, a way to find the old fashioned drive that the internet destroyed when it stole our attention spans and turned our personal interactions virtual. Drinking was a reason to sit down and work, or a reason to leave the house and connect with others. Without the romance of alcohol, creative activities are simply work, yet the work is the essence of the thing.
Read MoreA year ago I decided on a little bit of a whim to give learning the double bass a try. What began as a curiosity quickly hooked me, and suddenly I was in a very serious and committed relationship with the most difficult instrument I have ever attempted to play.
Read MoreI’ve been thinking a lot recently about the cycle of creative work. In my own creative life I seem to go through distinct phases, and rather than each phase co-existing I cycle through them, usually to a point of burnout, triggering an abrupt departure from one phase to the next.
I have been attempting to unpack this cycle, to try and understand it better, and I think it can be best divided into three phases: Practice, Creation and Promotion.
Read MoreI have been working on a series of career development articles for CutCommon magazine, to be published in the lead up to my album launch at the Paris Cat on May 6.The first article, about establishing a mutual mentor relationship with a friend or creative colleague, has just gone live:
https://www.cutcommonmag.com/how-to-make-the-most-of-your-friends/
Read More2017 was my first year as a completely freelance musician, however I kind of crashed my way into it without really thinking about how challenging it would be.
Read MoreWhere do I start? It has only been three weeks since I posted my last song, but it feels like months. I have been putting this update off, and like any good procrastination the longer you keep it up it the harder it becomes to start again...
Read MoreOne of the challenges to staying creatively productive is fitting the creative work in with the rest of your life. Before I went off to study music I worked a series of 9 - 5 jobs, however I only ever worked four days a week for most of that time. I tried my best to use my day off for creative projects, and I did accomplish a whole lot of creative things during those years. Ultimately, however, I found the constant shift between corporate and creatively mindsets exhausting. I think I'd be better at it now that I have some robust processes in place, but I do find it much easier when my work and creative practice are more closely related. My mind is never far away from music or art now, and my social circle is full of people who understand and support my lifestyle.
Read MoreThis piece is improvised, following on from yesterday's themes of transport and rain. Yesterday it was a car, today a train. I wrote the text first, then freely improvised with it and recorded only one take. While I like spending time crafting and perfecting a piece of music, I also love improvising freely, and there is something particularly interesting about the very first performance of an idea. My composition process involves recording improvisations like this and then listening back to them for ideas to expand upon, but those improvisations rarely make it past a voice memo on my phone. This project gives them a reason to exist as compositions in their own right, and I am excited to develop this part of my practice as the year progresses.
Read MoreI have been having some really nice conversations with my friend Emilee Seymour lately, as she is visiting Melbourne from Paris for a few weeks. Today we went to the Australian Tapestry Workshop, which was a big leap back into my past. I posted about it on Instagram, and after a comment exchange with Lucy Roleff (a fellow Melbourne-based musician) I thought I would explore the issue of identity a little in today's blog.
Read MoreToday marks the first day of month two of this year-long project. I should probably write a bit of a reflection on month one, but I might do that as a separate post tomorrow when I have a some free time. Today I'll keep my writing about my composition, and I might get a little nerdy in today's post. If you're one of my non-musician friends you might want to skip through to the bit about the lyrics.
Read MoreThis piece continues on with yesterday's citrus theme, but used oranges instead of lemons as a prompt. I took the melody from yesterday's improvisation and turned it into a chord, and then transposed it into a nicer key for mandolin.
Read MoreAs I start to write this it's just gone 1am. I think every song so far has been written and recorded before midnight, but today I didn't set up my camera until well after 12am. I started working on the song at about 8pm with lots of enthusiasm, but that quickly turned to frustration and I spent far too long languishing in pages of failed ideas.
Read MoreToday is the first day I really didn't want to sit down and work. Really, really didn't want to. My schedule has been fairly light the past few weeks as most of my music teaching doesn't resume until the school term starts back again, but I am playing at a wedding tomorrow and spent most of today preparing for that. I had considered building rest days into this project - one day a month perhaps - but momentum is an easy thing to lose. One day off the wagon and you start to want another, and another and another. I have no idea when I'll fit tomorrow's song in, but that's a challenge for the morning.
Read MoreI don't have a lot of brain space left tonight, but I'll do my best to bash out a few cohesive thoughts on this piece. Today was an exercise in learning that something is enough. This one is not very long, and there was far more I was playing around with, but it got to 11:30pm and I decided to just record the most cohesive part. I tried to treat it like a finished piece in performance, and just making that mental decision seemed to help solidify it as a composition that is complete in itself regardless of what it wanted to be originally
Read MoreI have a young guitar student who is incredibly cute, and likes to take off his shoes before he starts his lesson. He says he's "just not comfortable" until he does. He always informs me while removing his footwear that he has tan-bark in his socks, and he inspired some of the lyrics for this piece
Read MoreToday was hard, and it's only day three. I had about four hours sleep last night and spent most of the day as a zombie, but at about 11pm I pulled myself together enough to get this one out. These videos are the kind of thing I'd usually keep to myself, and not share them to become a public record of my experimentation. A huge part of this project, however, is about learning to put my inner critic on hold. Besides, tomorrow is another day and another chance to create something new.
Read MoreThe Song-Chain Project is a year-long creative mission that commences January 9 2017 and will run until January 9 2018. Each day for 365 days a new piece of music will be written, recorded and posted online, and the process documented.
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