Here's yesterday's song. It's late, so I won't write too much, instead I'll just share the lyrics. Very loosely inspired by the etymology of Tuesday, a love song
I am the square of sun
That moves across the room
Slow and languid
A chord taken from The Cause Of Your Calluses, and my clock as a metronome. I only recorded one take: the lyrics and melody were improvised, and I treated the performance like a meditation.
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Here's a proper song, rather than me making light fun of my irritation at this project. I started with nothing as a theme, and used the word to generate some melodic ideas. The lyrics come from the word "thing", and the themes of "stretch of time" and "thingamajig" suggested by the etymological dictionary. My clock theme of early in this project makes a reappearance.
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A continuation from the previous day's wish. What would happen if I didn't write a song? Nothing, nothing at all. And nothing would happen if I wrote a bad one either, as this proves. I randomly bashed at the piano, and still lived to see another day.
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A very quick one, somehow connected to kaleidoscope but I can't remember now how I got here.
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I had a little songwriting energy back, so I took the original Scuffle text and used that as the starting point for this piece. I kept the spirit of the previous video's randomness by improvising the melody and piano part. And by improvising on piano I mean randomly hitting white keys without much consideration for what I was playing. Perhaps I shouldn't have admitted that...
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Back at home, Monday. Following on from the shell-on-the-windowsill theme of the previous day with trinket on a shelf.
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I started with the word draught from the previous piece, and then opened the book The Heart Is A Lonely Hunter by Carson McCullers (highly recommended by the way) to random pages and chose the first word on the pages starting with each letter of draught. The words led me here, and I let myself just hit random keys on the piano for part of the accompaniment as I'd run out of energy to nut out something more functional.
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I owe it to this project to be honest, and I am still struggling to find enjoyment in the writing process at the moment. What I really want is time to sit down and work on some of the music I've already written, arranging and practicing it ready for gigs on April 9 and 16. Instead my time and creative energy is going into writing new music, and I am procrastinating quite badly at the moment.
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Sunday's song, continuing with the moon theme. The rhythm and harmony were pulled from serial composition using the word moon, and the unusual 9/8 ostinato took a lot of practice to sing over. I'm not going to write any more about this one, as I need to take some time to relax before starting today's song, and it's supposed to be a public holiday today in Melbourne.
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I don't feel I have much to say today, as I'm pretty exhausted. I still have to go and write today's song, so I'll go get to work and let yesterday's music do the talking.
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I concluded yesterday's blog post by saying that I would let interest and enjoyment be my guide, and I think that's something that deserves a little exploration. It's not quite as simple as just doing what you are enjoying, especially if you want to develop your skills at something. What is good for you may not necessarily be enjoyable, and it is easy to become bored or to feel like your practice is stagnating if you don't work outside of your comfort zone every now and then.
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Apparently I'm 9.5% of the way through this project, which doesn't seem very far at all. I already feel that my process is becoming stale, so I introduced some rigorous serial composition into today's piece to shift me away from habit. I took the words ruby and secret from yesterday's title and used them as the basis for the composition.
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This one was recorded at about 1:30am, which is by far the latest I've stayed up writing and recording for this project so far. At about midnight when it was only half done I crashed, and was almost asleep at the piano. I didn't like the melody, I had holes in my lines of lyrics that I just couldn't fill, and I was annoyed that I hadn't captured the mood from my initial writing exercises either musically or lyrically. Basically, my inner critic was telling me everything was crap, and that I should just scrap it all and start again.
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Good morning! Here's a belated post for yesterday's song. I feel like I need to prove somehow that I did write and record it yesterday, but you'll just have to take my word for it. I didn't finish getting the video ready until well after 1am last night, so I pressed upload and went to bed. I had to re-watch it this morning to remember what I had done, and discovered there is some grammatical weirdness at the end of the lyrics that is going to irritate me all day. I had been wrestling with the end of the lyrics for a while, and in the end I called time and just went with what I had. I'm glad I didn't just leave out the second verse completely, as I now have a rough draft that I can polish up.
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As I start to write this it's just gone 1am. I think every song so far has been written and recorded before midnight, but today I didn't set up my camera until well after 12am. I started working on the song at about 8pm with lots of enthusiasm, but that quickly turned to frustration and I spent far too long languishing in pages of failed ideas.
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I love lyrics, words, text and poetry. They have always been the driving force of my composition practice, and I think Lydia's Needle from last week was possibly the first thing I've ever written without any kind of textual component. That makes today's contribution is my second ever instrumental piece (although can I call it instrumental even though I'm singing the melody?)
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I don't have a lot of brain space left tonight, but I'll do my best to bash out a few cohesive thoughts on this piece. Today was an exercise in learning that something is enough. This one is not very long, and there was far more I was playing around with, but it got to 11:30pm and I decided to just record the most cohesive part. I tried to treat it like a finished piece in performance, and just making that mental decision seemed to help solidify it as a composition that is complete in itself regardless of what it wanted to be originally
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