Most of the linguistic connections to vista focus on light, and this piece explores the opposite, continuing the same camera angle as the previous day. A quick improvisation taking advantage of the background noise in my apartment. I have a new mysterious British neighbour, and ever evening he speaks on the phone in our building's stairwell. Yet I've never managed to actually see him, only heard his voice amplified by the shape of the stairwell. Perhaps he is a phantom?
Read MoreMy theme from the previous song was swell. I did some word fishing from the book I'm reading at the moment (The Master and Margarita in case you're interested), picking the first word on random pages starting with each letter of the word swell. I did this a couple of times and then mixed up the results, and the phrase little white embroidered eyebrows was the one that resonated. I turned that line into this song about a childhood doll.
Read MoreThis one came out easily, unlike most of my recent attempts. My starting prompt was venetian blinds.
Read MoreBack at home, Monday. Following on from the shell-on-the-windowsill theme of the previous day with trinket on a shelf.
Read MoreA second song written and recorded while camping, my starting prompt was brittle.
Read MorePart III in a mini series, an actual dream. I've been having lots of bizarre ones lately, I think my imagination is on overdrive.
Read MorePart II in a mini series. No wind this time, just lots of coffee.
Read MoreMy first song of April, and I decided to take flood as my theme from the previous day. I did quite a lot of writing exercises but they were all ending up very serious and depressing, and I didn't really feel in the mood for a serious or depressing song. I gave myself happy flood as a new prompt and ended up writing about the moment someone tells you they love you. Perhaps it's the cheerful and simple diatonic harmony, or the swing feel, or the repetition of the phrase "I love you", but it absolutely lifted my mood after the emotional ups and downs of the past week and the chaos of Friday's flood.
Read MoreOn Friday afternoon I had just started recording the day's song when I heard a dripping sound from the hallway. My upstairs neighbours' flat was rapidly flooding, and as a consequence flooding down into my flat too. This is not the first time this has happened, so I knew exactly which areas of my apartment needed to be evacuated of stuff. I hauled everything out of the wardrobes and used every towel in the house to try and hold back the leaking water.
Read MoreThis piece follows on from the previous day's Whisper mind map, and the word ear lobe that appeared on it. I did a three minute writing exercise using that prompt, and then took the nouns, verbs and adjectives from the result and paired them. Morning stirs and shake off the lamp light were the two pairs that prompted this piece. I tried to set the text to music without much success, so instead of getting frustrated I let myself record it as a spoken word piece.
Read MoreI owe it to this project to be honest, and I am still struggling to find enjoyment in the writing process at the moment. What I really want is time to sit down and work on some of the music I've already written, arranging and practicing it ready for gigs on April 9 and 16. Instead my time and creative energy is going into writing new music, and I am procrastinating quite badly at the moment.
Read MoreThis is Sunday's piece, and I had regained a little of my mojo for this one. I started with the theme clumsy from the previous day's piece, and did a three minute timed writing exercise. I then took all the nouns, verbs and adjectives from the result of that writing exercise and created word pairs with them. I used two of the pairs, "somewhere rain" and "another kitchen", as prompts for two additional three-minute writing exercises, and the results of those exercises led to this song. The day after I wrote this song it actually did rain in Melbourne, so I like to think I summoned the rain with my song.
Read MoreThis project is as much about practicing performing as it is practicing composing. I was really struggling to get through a successful take of this one last night. I kept making small mistakes, and then rather than letting them go they were growing in my mind, forming distractions, and leading to larger mistakes and abandoned takes. The clock was edging toward midnight when I finally had a take I was happy with. I'm still learning ways to manage all the mental stuff that goes along with performing, particularly performing for recording, which I find more difficult than performing live. This project is definitely helping, although it's slightly stressful putting these raw recordings out into the public space where they can potentially exist forever.
Read MoreOne of the difficulties with this project is that each day's work is brand new. Starting from a seed, a new piece of music must be realised in whatever time I have available that day. This means that more complicated ideas that need some time to workshop are not really compatible with the way I'm working right now. There is the possibility of writing a song in sections, adding or revising sections with each new day's work, and this would be within the rules I've set myself. So far, however, I haven't worked like this, as I'm finding myself excited by the possibility of doing something new each day. I'm only 16% of my way through the project, so perhaps that will change as I find myself running out of ideas that can be executed in a day.
Read MoreThis project is making me really aware of the day-to-day fluctuations in emotional and physical energy I experience, and the very real effect that energy level has on my work. I wrote yesterday morning about feeling burnt out, which I absolutely was the day before when I was trying to work on piece #47. Last night, however, I felt entirely the opposite. I was refreshed, ready and excited, and looking forward to an evening by myself in my studio. I had tidied up a bit, which definitely helped entice me into my newly neat space, and I was anticipating the enjoyment of the night's work the same way you'd anticipate the enjoyment of a party. I even indulged the Saturday night vibe with some fairy lights.
Read MoreOne of the songwriting tools I use regularly is an etymological dictionary. Looking at the origin of words is a really fascinating way of finding links between seemingly unrelated objects and ideas. My original starting point for this piece was umbrella, and the origin of that word comes from umbra, which is related to shadows and also to phantoms and ghosts. It is an interesting coincidence that the words shade and umbrella are linked, as shade also appeared in the previous day's piece. I took the ghostly route, and worked off the idea of trying to imagine a loved one back into existence.
Read MoreI concluded yesterday's blog post by saying that I would let interest and enjoyment be my guide, and I think that's something that deserves a little exploration. It's not quite as simple as just doing what you are enjoying, especially if you want to develop your skills at something. What is good for you may not necessarily be enjoyable, and it is easy to become bored or to feel like your practice is stagnating if you don't work outside of your comfort zone every now and then.
Read MoreThis piece is improvised, following on from yesterday's themes of transport and rain. Yesterday it was a car, today a train. I wrote the text first, then freely improvised with it and recorded only one take. While I like spending time crafting and perfecting a piece of music, I also love improvising freely, and there is something particularly interesting about the very first performance of an idea. My composition process involves recording improvisations like this and then listening back to them for ideas to expand upon, but those improvisations rarely make it past a voice memo on my phone. This project gives them a reason to exist as compositions in their own right, and I am excited to develop this part of my practice as the year progresses.
Read MoreI considered leaving this to tomorrow morning to record, simply because I would have had more fun if I could crank my amp a bit. Once I start doing that, however, there's nothing stopping me from putting the writing off until the morning too, so I stuck to plan and recorded as quietly as I could.
Read MoreI have two younger sisters, and we are close in age and in friendship. My middle sister moved to New York last year, and although the internet makes it easy for us to send little messages back and forth throughout our respective days, it's not the same as having her here in Melbourne. I worked with the theme of distance from yesterday's piece, and wrote this for her. Recording it made me a little emotional, because I miss her, and reminds me of the power music has to move and change us, and make us think. Songwriting, for me it seems, is a balancing act between keeping unhelpful emotions out of the process, while allowing helpful emotions to flow freely through the composition and the performance.
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